Tuesday, September 22, 2009

Interview: The Girl Called Jackeline

The chaos encircling Jackeline is getting uncontrollable. People bombarding a single teacher with questions, others bombarding each other with questions. Girls giggling, boys jeering and Jackeline unaware of all that surrounds her.

Her head hangs low and she fans herself with her hand. Rolling her eyes at the heat that fills the small claustrophobic classroom that resides above the Manual Arts High School bookroom.

With a flushed face, she asks: “Shall we begin?”

Only if you’re ready. So tell me, what’s your name?

Jackelnine Lopez.

Tell me a little bit about yourself Jackeline.

I’m seventeen years old. [Hesitates] I’m a senior attending Manual Arts High School.

At this point I stop her from continuing sentence. Something about the way she said what school she attends bothered me a bit.

Do you like your school?

That’s neither here nor there. It’s a respectable place. Has it’s ups and downs like every other school in South Central.

I see you don’t mess around with the sugar coating and the use of the word South Los Angeles.

Not at all. Why should I? [Laughs] I think you should embrace where you come from. Even if where you come from isn’t the best place.

Do you dislike your neighborhood?

I dislike my neighbors let’s get that straight. Then again, no one has the perfect relationship with their neighbors. Some are loud and others like to keep to themselves. Mine just so happen to be under the loud category.

How do you feel about the people at school?

They’re just sort of…there. I mean outside of my group of friends, I don’t trouble my thoughts with other people.

Would you say that is due because of bad experiences with certain people.

Not at all. Like I said, they’re just there. They’re them and I’m me and you’re you; If that makes any sense at all.

A confused look crosses Jackeline’s face. As if she herself is trying to process what she just tried to explain to me.

Experiences in general. Do you have any memorable experiences from Manual?

Um…I’m going to have to think about that.

Looking away, with a pensive look upon her face, her eyes scan the room as if within it, she will find the answer to the question.

During this time, she asked me if she could take a small break. She engaged in a small conversation with a friend. They talked and laughed and mentioned all the bad times. Finally after approximately five minutes her nonchalant manner put upon my face a smile.

I’m ready.

Where did we leave off? Oh yes, you were about to tell me about a good experience you have had here at Manual…

Oh right. Well there was this one time when I was in I believe the ninth grade. I was in Mr. Zavala’s class. I played the Saxophone. It was around finals time and well I had been absent for his final. The day after his final, he saw me and asked me if I wanted to make up the exam that day. I was never that good at the Saxophone [laughs] so I obviously refused. Naturally, not wanting to see a student of his fail, we engaged in a tug-of-war where instead of a rope was my bookbag.

So you were having a tug-of- war with your teacher, how was that like?

Embarrassing. People were starting to gather and stare. I know he meant well and I thank him for that but if anything I was saving his ears from the ugly music that would come out of that saxophone.

I’m sorry, but I can’t see the positive experience from that incident.

Really? Well even though it was really really embarrassing, I learned something that day.

What was that? I asked, for she had stopped talking.

Well I realized that not all teachers are bad teachers. Among them are the good ones that go as far as to start a tug-of-war with you to get you to take a final.

So, tell me Jackeline; How did you do on your final?

I didn’t. [She smiles] I never took it.

Monday, September 21, 2009

It's a man's world and apparently a 'Boys Life'

Meet Jack, Don and Phil - three cynical, twenty-something college mates who are just trying to grow up. The trio charm, cheat and lie in a desperate attempt to become the men they think they should be. And discover along the way that it is the women in their lives who possess all the qualities of manhood and maturity that have been eluding them.

That’s the story for Accidental Productions latest show called ‘Boys Life’.

What makes this production particularly important is the cast are all recent drama graduates, and Peter asked Matt, Dave and Emily from the cast, what this has been like…

DOWNLOAD INTERVIEW or CLICK HERE TO LISTEN

‘Boys Life’ runs from September 26 to October 10, with a special preview screening on Friday 25, in the Studio Space at the Bakehouse Theatre on Angas St in the city.

Tickets through http://www.bakehousetheatre.com/

AHA MEDIA filmed at the Fight HST Rally at Canada Place in Vancouver

AHA MEDIA was invited to go and film at the http://www.FightHst.com Rally on Saturday, Sept 18, 2009 at Canada Place. An estimated 5,000 people showed up to support the cause!

Speaker included

Tom Shields – M.C. (Former Mayor of Osoyoos)

Bill Vander Zalm – Host (Former BC Premier)

Carole James – Leader of the Official Opposition

Bill Tieleman – No BC HST Facebook Creator / 24 Hours columnist.

Below is a photo of April Smith of AHA MEDIA with Ellen Woodsworth, Deputy Mayor of Vancouver who gave a rousing speech!

Please see http://www.FightHST.com for videos and photos of the rally!

[Video] Culture VI interview with PackFM

Here’s an interview I did with Pack where he finally reveals the story behind his name. He also talks about why he hates rappers so much.

There’s also footage of him recording a feature he’s doing for my artist John “Poizun” Regan for his album “Sorry I’m Late” — which also features Joell Ortiz, 88-Keys, Royce da 5′9″, Ill Bill, Juganot, Amanda Diva and production by J. Cardim, Frequency, YZ, and Dub B. There’s also a pretty big named feature on it that I can’t say yet because it’s not official. But shouts to Pack for coming through to do the record!!

Props to Culture VI.

PackFM

Sunday, September 20, 2009

Astrobrasilis

Rio de Janeiro, início de agosto, 2009. na Assembléia Geral da União Astronômica Internacional (UAI GA, na sigla em Inglês), a comunidade científica estava em polvorosa. Entre astrônomos, engenheiros, estudantes, cientistas do primeiro escalão da pesquisa mundial e representantes dos mais diversos países, uma enorme confluência de línguas e culturas, numa verdadeira celebração da ciência mundial. Neste ambiente entusiasmante, conversei com um dos nomes mais respeitados da Astronomia brasileira, o prof. João Steiner. Entre os vários cargos que já exerceu, Steiner foi secretário de Coordenação das Unidades de Pesquisa do Ministério de Ciência e Tecnologia,  presidente da Sociedade Astronômica Brasileira, vice-presidente do consórcio internacional Gemini e diretor do Instituto de Estudos Avançados (IEA) da USP, e é conhecido no Brasil e na cena mundial por ocupar a presidência no Conselho Diretor do Consórcio do Southern Astrophysical Research (SOAR) Telescope, cargo a que foi eleito e que envolve esforços em conjunto do Chile, EUA e Brasil para a construção de um telescópio para ser operado nos Andes chilenos.

Conversamos um pouco sobre a assembléia da UAI no Rio de Janeiro e a Astronomia no Brasil.

Como foi a escolha do Rio de Janeiro para se fazer a GA deste ano?

Isso é uma história curiosa, porque é algo muito disputado. E mais ainda porque essa reunião só ocorre uma vez a cada três anos. Veja bem: nos últimos 30 anos só aconteceram 10 reuniões em 10 países diferentes. E nunca houve no Brasil. Então nós decidimos concorrer, e a concorrência foi dura, porque concorremos com a China, Canadá e Estados Unidos (era pra ser no Havaí). E a China veio com muita força. Então, para a agente ter alguma chance de convencer essa reunião a ser feita no Brasil, tínhamos o Rio de Janeiro, porque o Rio tem um poder de atração diferencial, porque todo estrangeiro tem um checklist de “lugares a visitar na vida” com o Rio de Janeiro na rota. Então, é relativamente fácil convencer um estrangeiro a vir num congresso científico no Brasil, desde que seja no Rio de Janeiro. Porque é uma cidade diferente, tem muitos atrativos, a praia, da paisagem… então foi por essa razão que nós, astrônomos brasileiros, numa reunião da Sociedade Astronômica, escolhemos o Rio de Janeiro para concorrer, e graças a isso nós ganhamos da China e dos outros países.

O fato de esta GA ter sido feita no Brasil este ano tem ajudado a atrair os olhares e chamar mais a atenção para a Astronomia que é feita aqui?

Eu diria o seguinte: na verdade, a astronomia brasileira tem tido bastante apoio do governo federal, bastante apoio dos governos estaduais – pelo menos no estado de São Paulo, não é? -  e nós não podemos nos queixar por falta de apoio. Então, eu não diria que aumentou o apoio, porque ele já existia. O que acontece – e isso sim foi um diferencial – foi o seguinte: coincidiu também de esse ano ser o Ano Internacional da Astronomia (AIA). E isso sim foi um diferencial muito grande, porque deu muita visibilidade para a Astronomia. Então, juntou-se o AIA com (a reunião da) União Astronômica Internacional, e isso sim reforçou uma certa sinergia para essas coisas todas, e deu uma visibilidade muito boa nos meios de comunicação, na imprensa, junto à opinião pública e uma certa repercussão também junto ao governo.

Então o retorno não foi necessariamente em termos financeiros, mas principalmente em valor agregado, com mais gente interessada…

Isso, mais gente… e eu acho que o diferencial foi muito mais para a sociedade do que com relação ao governo.

E isso teve algum impacto na pesquisa científica no Brasil de alguma forma?

Eu diria o seguinte, eu diria o contrário: talvez a razão mais importante porque a reunião é aqui é porque isso é um reconhecimento da comunidade internacional de que existe uma ciência sólida sendo feita no Brasil. É um reconhecimento disso. E a gente pode confirmar isso com o número de astrônomos brasileiros que estão participando com trabalhos. Eu até tenho esse dado em algum lugar por aqui, e me parece que é da ordem dos 300, bom, 360 astrônomos brasileiros inscritos no congresso. O que é um número muito alto, considerando que no Brasil existem hoje, contando pesquisadores com doutorado e alunos do mestrado e doutorado que trabalham em tempo integral em Astronomia são 500, 508. E é muito. Em 1970, eram dois, três. Agora são 500. 508. é um crescimento extraordinário, não é? E muito recente. Eu sou uma das pessoas mais velhas  – como você pode ver, sou muito jovem, totalmente jovem, né? (risos) – na área. Eu fiz doutorado em 1979. Fui o quarto doutorado na USP na área de Astronomia. Então isso, do ponto de vista da história da ciência, é algo muito recente.

E então, o que se faz em Astronomia hoje no Brasil? Quem são os nossos maiores parceiros em cooperação científica internacionalmente?

Nós temos muita cooperação com os Estados Unidos e com a Europa (…) só que os nossos projetos, os nossos grandes telescópios (somos parceiros nos projetos Gemini e Soar, que são dois grandes telescópios), ficam um no Havaí e um no Chile. São telescópios fantásticos, entre os melhores do mundo, e nós somos sócios. O Soar, por exemplo (cuja construção é liderada pelo prof. Steiner) é uma parceria com os estados Unidos, que conta com três instituições americanas. Nós temos 34% das ações. E no Gemini são seis países, sendo que o principal também são os Estados Unidos. Então sob o ponto de vista de iniciativas estratégicas e grandes equipamentos nesses projetos, o grande parceiro são os Estados Unidos. Mas do ponto de vista de cooperação científica, nós temos um pé nos Estados Unidos e outro na Europa.

Saturday, September 19, 2009

Interview: Analytics Tool Getting a Refresh with Crazzy Egg 2.0

A few weeks back I talked about Crazy Egg’s Confetti as a great analytics tool for data visualization and thought it worth some follow up.  Amee over at Crazy Egg came through with the inside scope on Crazy Egg 2.0 as well as some insights on data visualization.  To the left is the new drop down menu – some nice new options.

PMT – How have you seen the need for data visualization change/evolve in recent years?

CE - Because of the vast amount of data out there, it can be hard for companies to comprehend the data. Visualizations that provide an insight about users and more importantly actionable data, make it easier for companies to understand their data.

Similar to what some analytics companies are doing now, I think over the next few years companies are going to concentrate and create more useful visuals and not just pretty ones.

PMT – How do data visualization tools fit with typical analytics platforms like Omniture?  What’s the best way to create synergy between the two?

CE – Well, they help you understand the data in a different way. Some people are visual while others prefer crunching numbers. I think analytics companies are going to have to meet the needs of both type of users.

PMT – What’s new with the upcoming Confetti release?

CE – The best way to create a synergy is through deep integration. This way the user experience is seamless.

Crazy Egg 2.0:

• Completely rewritten from the ground up

• Improved stability, performance, and reliability throughout the whole system

• Reports are always available

• Reports load much quicker

• Improved tracking reliability

• Improved tracking accuracy

• Added many more dimensions of data to Confetti and Overlay, including custom user variables

• Higher-resolution heatmaps

• New snapshot creation UI

• Ability to fine-tune URL matching URLs for snapshots

• Ability to edit running tests

• Improved screenshots (better font rendering)

• Improved error handling and messaging

• Better tools for our users to diagnose potential installation/configuration issues

Coming soon…

• Regular expressions for URL matching rules

• Ability to handle template tracking

• Ability to track login-protected pages

• Export to CSV

• Downloadable Heatmaps

• IP Address blocking (existing 1.0 feature)

• Ability to track custom elements

To brush up on your analytics, pick up a copy of Web Analytics: An Hour a Day

Thomas Greanias Emerging: More Mystical Than Atlantis Itself



Thomas Greanias is the New York Times bestselling author of Raising Atlantis, The Atlantis Prophecy and The Atlantis Revelation. Also, his eBooks are No.1 on Amazon worldwide and his Audiobooks on iTunes are No.1 worldwide. He is one of the leading authors of adventure novels. When you read one of his novels, you can’t put it down.  You are pulled into a vortex of mystery and intrigue.

The mystery of Atlantis appeals to many. A lot wonder if it really existed; perhaps even buried far below an ocean. Maybe someone will find Atlantis someday, but until then, we can read and enjoy the puzzle surrounding it.

I was ecstatic when Thomas agreed to an interview.  I feel honored and privileged.



What is your process of researching for your novels?

A mix of intuition and connecting the dots. There are so many mind-blowing “factoids” floating out there in our overloaded information age dying for some perspective. I end up looking at the trends behind those facts, past and present, and extrapolate what the future might hold, where we might be heading.

What drove you to pen the Atlantis novels?

The failure of my screenplay Chain of Command —my “big buck spec script,” according to Daily Variety —to get produced back in the late 1990s. It was about a female secretary of education who becomes the president after a nuclear attack takes out Washington and the first 15 guys in line. Columbia made the similar “Air Force One” with Harrison Ford instead. Since then, every actress considered for my script eventually played a female president, vice president or first lady in a movie or TV series: Glenn Close (Air Force One),Sigourney Weaver (Dave), Geena Davis (Commander in Chief) and Mary McDonnell (Battlestar Galactica). What’s funny is that over the years at Hollywood parties I get comments from some people about how much they loved my movie. They think they’ve seen it, but it was never made. So instead of waiting for Hollywood, I wrote Raising Atlantis.

You have been a correspondent for national security issues; has this experience given you a lot of knowledge for your novels?

The Atlantis Prophecy would not have been possible were it not for my first-hand tunnel-crawling and associated experiences in Washington, D.C., years ago. I knew I was going to write a novel about it someday, but I didn’t know it would come out after Raising Atlantis as The Atlantis Prophecy.

I am a big fan of Clive Cussler, who has given you high praise. How does it feel to have other bestselling authors,especially of your genre, give you great acclaim?

Flattered and undeserving.

When did you begin writing stories? What or who has been your biggest inspiration?

Preschool. Leo Tolstoy is my biggest inspiration. War and Peace humbles you as a writer with both its vast scale and personal intimacy. And his later short works like Father Sergius and Hadji Murad are practically religious experiences in themselves. But I think it was John Jay Osborn’s novel The Paper Chase, based on his first year of law school at Harvard, that got me started. I loved the idea that we could take the raw experiences of our lives and turn them into stories that inspire others.

What do you do besides writing your next novel; any fun hobbies, any crazy collections?

I do a lot of fun things with my wife and two boys, and I’m fortunate enough to have some of the most interesting friends around. I seem to go back and forth between the sand and snow.

Can you tell us about your new novel that will be coming out?

THE PROMISED WAR is about an Israeli counter-terrorism agent named Sam Deker who gets blown back to 1410 BC and the ancient Israelite army’s history-changing invasion of the Promised Land.

Can you tell us more about the contest that you have been doing for readers?

*You can see the two finalists yourself on YouTube. Just type in Atlantis Revelation.

What advice can you give to struggling writers?

Remember that writing is both a craft and a business. You’ll always struggle with the craft, whether you’re unpublished or Leo Tolstoy (who didn’t believe the novel was even an art form when he penned War and Peace). And the business is changing before our eyes. Editors are spending less time reading manuscripts and more time trolling the Web to see who has an eBook, blog or other form of proof-of-concept that seems to be working. So work your craft, but get your work out there as soon as you can, too.

*Thomas Greanias had a contest called The Atlantis Revelation Movie Trailer Mashup for a chance to win and watch the trailer on CBS. You can see the entries here:

Mashup Entries

Learn more about Thomas Greanias on his website:

http://www.thomasgreanias.com/index_loaded.html

On his website,you will also find where to order his books,eBooks and Audiobooks.

Myspace: http://www.myspace.com/officialthomasgreanias

Thomas Greanias is on Twitter!  Follow him here!

http://twitter.com/ThomasGreanias